An insight into the dashboard cameras which are in fashion amongst Russian car drivers, which I am posting for entertainment purposes only.
From The Daily Show with Jon Stewart, February 19, 2013
[Edited August 2023 for style]
Wednesday, 20 February 2013
War and Peace on the Автомагистраль
An insight into the dashboard cameras which are in fashion amongst Russian car drivers, which I am posting for entertainment purposes only.
From The Daily Show with Jon Stewart, February 19, 2013
Happy Birthday, Ansel Adams
"The Tetons and the Snake River" (1942) Grand Teton National Park, Wyoming.
National Archives and Records Administration, Records of the National Park Service. (79-AAG-1)
(Licencing: Public domain because it was taken while Ansel Adams was working for the US government.)
More photos can be found at Wikimedia Commons. Above photo via Wikipedia.
Tip of the hat to Library of Congress (@librarycongress) on Twitter.
Saturday, 16 February 2013
Ten Years After: The Path to Iraq and 'Hubris'
On Monday (9 p.m. ET/PT), a new MSNBC documentary will investigate the deceptions which the Bush administration used to go to war in Iraq. It derives from the book Hubris: The Inside Story of Spin, Scandal, and the Selling of the Iraq War (2006), by Michael Isikoff and David Corn.*
For an article in Mother Jones, Corn describes doubts which prominent Bush administration figureheads held at the time, revealing this scene in the film about former Secretary of State Colin Powell:
[. . .] Lawrence Wilkerson, Powell's chief of staff at the time, recalls the day Congress passed a resolution authorizing Bush to attack Iraq:In March there will be the 10th anniversary of the invasion of Iraq.
Powell walked into my office and without so much as a fare-thee-well, he walked over to the window and he said, "I wonder what'll happen when we put 500,000 troops into Iraq and comb the country from one end to the other and find nothing?" And he turned around and walked back in his office. And I—I wrote that down on my calendar—as close for—to verbatim as I could, because I thought that was a profound statement coming from the secretary of state, former chairman of the joint chiefs of staff.Wilkerson also notes that Powell had no idea about the veracity of the intelligence he cited during that UN speech: "Though neither Powell nor anyone else from the State Department team intentionally lied, we did participate in a hoax."
"Hubris": New Documentary Reexamines the Iraq War "Hoax" [Mother Jones], by David Corn (February 16, 2013) [Read February 17, 2013]
* Update: David Corn, of Mother Jones, has just won a Polk Award for his reporting in 2012, specifically for the '47% video' starring Mitt Romney at a fundraiser. ("LIU Announces 2012 George Polk Awards in Journalism," February 17, 2013 [Long Island University])
Thursday, 14 February 2013
Follow-Up: Mandatory Minimums for Drug Trafficking?
To recapitulate part of what I wrote in November:
It was in New York State where the Rockefeller Drug Laws were passed into practice in 1973. Under these laws, anyone who was convicted of selling, for instance, 60 grams of marijuana would have to be sentenced to a minimum of fifteen years.
This measure was also used in future drug laws like the federal Anti-Drug Abuse Act.
All of this legislation revived (as far as I have gathered) the mandatory minimum sentences which had been removed from federal law three years earlier.
Since then, 'mandatory minimums' have been seen as a problem because they force the courts to imprison convicted criminals for excessively long periods of time — without adequately redressing, or even exacerbating, crime rates.
*
Forty years after the legislation, the American radio broadcasting company NPR (together with the North Country Public Radio's Prison Time Media Project) is running a series on the Rockefeller Drug Laws. Today it described the experience of G. Prendes, a native of New York State who was affected by the Drug Laws after he was arrested at the age of 23 and then jailed, convicted, and imprisoned for a fifteen-year term.
ACCORDING to the article,
The effects were harsh for him individually but they also victimized a broader sphere:
It was in New York State where the Rockefeller Drug Laws were passed into practice in 1973. Under these laws, anyone who was convicted of selling, for instance, 60 grams of marijuana would have to be sentenced to a minimum of fifteen years.
This measure was also used in future drug laws like the federal Anti-Drug Abuse Act.
All of this legislation revived (as far as I have gathered) the mandatory minimum sentences which had been removed from federal law three years earlier.
Since then, 'mandatory minimums' have been seen as a problem because they force the courts to imprison convicted criminals for excessively long periods of time — without adequately redressing, or even exacerbating, crime rates.
*
Forty years after the legislation, the American radio broadcasting company NPR (together with the North Country Public Radio's Prison Time Media Project) is running a series on the Rockefeller Drug Laws. Today it described the experience of G. Prendes, a native of New York State who was affected by the Drug Laws after he was arrested at the age of 23 and then jailed, convicted, and imprisoned for a fifteen-year term.
ACCORDING to the article,
in 1977, he made the big mistake that put him in the crosshairs of the new laws: He agreed to help with a drug deal, selling a pound of cocaine upstate in Rochester, N.Y. It was a sting.
[. . . The former prisoner,] Prendes was a first-time offender, and no one saw him as a kingpin drug dealer.
*
The effects were harsh for him individually but they also victimized a broader sphere:
Saturday, 29 December 2012
Ottolenghi's Hot Yoghurt and Barley Soup
Though this blog is unlike a proper news website in other respects, here is an article in the 'filler' tradition for the holidays.
The new cookbook Jerusalem has been well received and has even landed in the bookshelves of Gwyneth Paltrow. I received it for my birthday and have made a handful of its Middle Eastern recipes already. The latest is the hot yoghurt and barley soup.
The barley and the water it is cooked in are enriched by sautéd onions, yoghurt, mint, parsley, and spring onions to make the soup. Further details shall be kept unrevealed for reasons of not spoiling the mystery (and, copyright).
Yesterday I made it the first time and left the barley too long; it was waterlogged and much of the cooking liquid had disappeared. The right response to this contingency was, as it proved, not to make up the difference with more water; that otherwise vitally important compound of hydrogen and oxygen was in the end the defining flavour of the broth. I tasted the soup toward the end of proceedings, then rushed in some 70 g of butter to thicken it; fortunately we were philistines and had wieners with it, so no one went unsatisfied. Today the grains were on the hearth for roughly twenty minutes' total, not even counting the simmering time, but they rested in the pot soaking up water while I prepared the rest of the recipe. This may not be ideal either, but everything retained its flavour and the barley's texture was quite nice.
As far as the garnish is concerned, I sautéed the spring onions until one or two bits were a little browned in the same pan (pot, but we'll pretend it was a better-suited pan) which had held the onions, so that the spring onions would be even more flavourful but gentle. It proved to be a good idea, though the pristine white-and-green contrast of the soup was further marred by this step.
***
Jerusalem
by Yotam Ottolenghi and Sami Tamimi
[Ebury Press]
 |
| Hordeum — barley Photo courtesy USDA, via Wikipedia |
The new cookbook Jerusalem has been well received and has even landed in the bookshelves of Gwyneth Paltrow. I received it for my birthday and have made a handful of its Middle Eastern recipes already. The latest is the hot yoghurt and barley soup.
The barley and the water it is cooked in are enriched by sautéd onions, yoghurt, mint, parsley, and spring onions to make the soup. Further details shall be kept unrevealed for reasons of not spoiling the mystery (and, copyright).
Yesterday I made it the first time and left the barley too long; it was waterlogged and much of the cooking liquid had disappeared. The right response to this contingency was, as it proved, not to make up the difference with more water; that otherwise vitally important compound of hydrogen and oxygen was in the end the defining flavour of the broth. I tasted the soup toward the end of proceedings, then rushed in some 70 g of butter to thicken it; fortunately we were philistines and had wieners with it, so no one went unsatisfied. Today the grains were on the hearth for roughly twenty minutes' total, not even counting the simmering time, but they rested in the pot soaking up water while I prepared the rest of the recipe. This may not be ideal either, but everything retained its flavour and the barley's texture was quite nice.
As far as the garnish is concerned, I sautéed the spring onions until one or two bits were a little browned in the same pan (pot, but we'll pretend it was a better-suited pan) which had held the onions, so that the spring onions would be even more flavourful but gentle. It proved to be a good idea, though the pristine white-and-green contrast of the soup was further marred by this step.
***
Jerusalem
by Yotam Ottolenghi and Sami Tamimi
[Ebury Press]
Tuesday, 25 December 2012
Cracking the Nut
The Guardian has been showing the Royal Ballet's Nutcracker, presented in the UK's Covent Garden in 2009, in two parts on its website.
So I watched it the day it went up on the internet. I thought the standard of acting was astonishingly good, as well as the detail in the costumes, which are distractingly Jane Austen adaptation-like; the settings, mannerisms and dress all seem to hearken quite faithfully to the ideal of domesticity in 19th-century Germany. In this sense it is probably not as close to the source material; E.T.A. Hoffmann was I think a subversive writer and his Nutcracker is dark and trippy and funny like many of his other works. On the other hand, I once saw an unhealthy interpretation on television, which inflicted some emotional scarring which I've fortunately for the most part forgotten, so there is no need to go to the other extreme! Either way, this Covent Garden imagining is self-consciously indulgent and much like Zeffirelli's Metropolitan Opera art direction seems to be — perfect for people who like tradition and like to be pampered. The question of its balletic nature is probably best left to more knowledgeable heads than mine.
Since the Guardian film is only temporarily available, here is this production from 2008 — in the same opera house, much the same cast and same stage direction, with the notable difference that another ballerina (Alexandra Ansanelli) is the Sugar Plum Fairy.
So I watched it the day it went up on the internet. I thought the standard of acting was astonishingly good, as well as the detail in the costumes, which are distractingly Jane Austen adaptation-like; the settings, mannerisms and dress all seem to hearken quite faithfully to the ideal of domesticity in 19th-century Germany. In this sense it is probably not as close to the source material; E.T.A. Hoffmann was I think a subversive writer and his Nutcracker is dark and trippy and funny like many of his other works. On the other hand, I once saw an unhealthy interpretation on television, which inflicted some emotional scarring which I've fortunately for the most part forgotten, so there is no need to go to the other extreme! Either way, this Covent Garden imagining is self-consciously indulgent and much like Zeffirelli's Metropolitan Opera art direction seems to be — perfect for people who like tradition and like to be pampered. The question of its balletic nature is probably best left to more knowledgeable heads than mine.
Since the Guardian film is only temporarily available, here is this production from 2008 — in the same opera house, much the same cast and same stage direction, with the notable difference that another ballerina (Alexandra Ansanelli) is the Sugar Plum Fairy.
Merry Christmas and Happy Holidays
From the Book of Hours for Engelbert of Nassau (1470s)
By an unknown Flemish miniaturist, manuscript in the Bodleian Library.
Courtesy of Web Gallery of Art, via Wikimedia Commons.
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